My Audiophile Companion - For Clasical Music and Jazz Lovers - CD
TACET
8. września 2006
Niemcy
Stereo
Mono
Status
Nowość
Dostępność
Tydzień
Cena
93,99 zł
103,99 zł
Cena zawiera VAT 23 %
Dostępność
Tydzień
Various: My Audiophile Companion - For Clasical Music and Jazz Lovers Wersja na CD w standardowe wydanie. Ta konkretna edycja została wydana w Niemcy w wydawnictwie TACET dnia 8. września 2006. Album sięga do gatunku Muzyka klasyczna i Jazz.
Ładowanie...
| 1 | No Artist: Conversation Between Two Neighbours | 0:19 min | |
| 2 | No Artist: White Noise, Mono, In Phase | 0:21 min | |
| 3 | No Artist: White Noise, Mono, Out of Phase | 0:22 min | |
| 4 | Ulrike Theresia Wegele: Toccata In A, In Phase | 0:44 min | |
| Composed By Johann Ludwig Krebs | |||
| 5 | Ulrike Theresia Wegele: Toccata In A, Out Of Phase | 0:46 min | |
| Composed By Johann Ludwig Krebs | |||
| 6 | Georg Rox Trio, Martin Classen: I Got Rhytm, Correct Phase | 0:48 min | |
| Saxophone Martin Classen | |||
| 7 | Georg Rox Trio, Martin Classen: I Got Rhytm, Reversed Phase | 0:49 min | |
| 8 | Junge Süddeutsche Philharmonie Esslingen: The Planets: Mars, The Bringer Of War (Live) | 2:28 min | |
| Composed By Gustav Holst | Conductor Bernhard Güller | |||
| 9 | Sächsisches Kammerorchester Leipzig: Symphony In G, K. 183: I. Allegro Con Brio, Sound Unaltered | 0:52 min | |
| Composed By Wolfgang Amadeus Mozart | Conductor Johannes Moesus | |||
| 10 | Sächsisches Kammerorchester Leipzig: Symphony In G, K. 183: I. Allegro Con Brio, Mono, Only Left | 0:51 min | |
| Composed By Wolfgang Amadeus Mozart | Conductor Johannes Moesus | |||
| 11 | Sächsisches Kammerorchester Leipzig: Symphony in G, K. 183: I. Allegro con brio, Mono, Only Right | 0:52 min | |
| Composed By Wolfgang Amadeus Mozart | Conductor Johannes Moesus | |||
| 12 | Scot Weir, Till Alexander Körber: Und wüssten's die Blumen, die kleinen, from Poet's Love, Op. 48 | 1:20 min | |
| Composed By Richard Schumann | Piano Till Alexander Körber | Tenor Vocals Scot Weir | |||
| 13 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Original | 0:51 min | |
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 14 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 100 Hz +9 dB | ||
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 15 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 100 Hz -9 dB | ||
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 16 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 200 Hz +9 dB | ||
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 17 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 200 Hz -9 dB | ||
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 18 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 400 Hz +9 dB | ||
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 19 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 400 Hz - 9 dB | ||
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 20 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 900 Hz +9 dB | ||
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 21 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 900 Hz -9 dB | ||
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 22 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 2.4 kHz +9 dB | ||
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 23 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 2.4 kHz -9 dB | ||
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 24 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 3.6 kHz +9 dB | ||
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 25 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 3.6 kHz -9 dB | ||
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 26 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 6 kHz +9 dB | ||
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 27 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 6 kHz -9 dB | ||
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 28 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 8 kHz +9 dB | ||
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 29 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 8 kHz -9 dB | ||
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 30 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 10 kHz +9 dB | ||
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 31 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 10 kHz -9 dB | ||
| Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
| 32 | No Artist: Clash of Cymbals, Offset 0 frames | ||
| 33 | No Artist: Clash of Cymbals, Offset 2 frames | ||
| 34 | No Artist: Clash of Cymbals, Offset 5 frames | ||
| 35 | Günther Hertzfield, Hartmut Lindemann: Beau Soir, from the five songs based on lyrics by Bourget | ||
| Composed By Claude Debussy | Piano Günther Hertzfield | Viola Hartmut Lindemann | |||
| 36 | Camas Quintet: Allegro con brio, from Three Shanties for Wind Quintet, XY technique | ||
| Composed By Malcolm Arnold | |||
| 37 | Camas Quintet: Allegro con brio, from Three Shanties for Wind Quintet, AB technique | ||
| Composed By Malcolm Arnold | |||
| 38 | Camas Quintet: Allegro con brio, from Three Shanties for Wind Quintet, MS technique | ||
| Composed By Malcolm Arnold | |||
| 39 | Duo Favori: Sonata for Two Guitars: III. Allegro, Digital (DDD) | ||
| Composed By Christian Gottlieb Scheidler | |||
| 40 | Duo Favori: Sonata for Two Guitars: III. Allegro, Analog (AAD) | ||
| Composed By Christian Gottlieb Scheidler | |||
| 41 | Gerrit Zitterbart: Sonata in A, K310: III. Presto, Direct to CD | ||
| Composed By Wolfgang Amadeus Mozart | Piano Gerrit Zitterbart | |||
| 42 | Gerrit Zitterbart: Sonata in A, K310: III. Presto, via LP to CD | ||
| Piano Gerrit Zitterbart | |||
| 43 | Martin Classen: Like Someone in Love, Saxophone played into open grand piano | ||
| Saxophone Martin Classen | |||
| 44 | Auryn Quartett: String Quartet in B Flat, Op.130: Alla danza tedesca. Allegro assai, Left: Valve; Right: Transistor | ||
| Composed By Ludwig van Beethoven | |||
| 45 | Duo Favori: Danza Triste, From 12 Danzas Espanolas, 20m Microphone Cable Two Connections Per Channel | ||
| Composed By Enrique Granados | |||
| 46 | Duo Favori: Danza triste, from 12 Danzas Espanolas, 160m Microphone cable 11 connections per channel | ||
| Composed By Enrique Granados | |||
| 47 | No Artist: Slow Half-Sine Wave on the left channel, Alternately positive and negative | ||
| 48 | No Artist: Sawtooth Wave, Alternately left positive/right negative and left negative/right positive | ||
| 49 | Georg Rox Trio, Martin Classen: Have You Met Miss Jones, Original | ||
| 50 | Georg Rox Trio, Martin Classen: Have You Met Miss Jones, Absolute Phase | ||
| 51 | No Artist: Protective Noise; It is about to get loud! | ||
| 52 | No Artist: LOUD! Sine Wave 1 kHz, 0 dB, 24 bit > 16 bit Dither | ||
| 53 | No Artist: LOUD! Sine Wave 1 kHz, 0 dB, 24 bit > 16 bit Truncation | ||
| 54 | No Artist: LOUD! Sine Wave 1 kHz, 0 dB, 24 bit > 16 bit SBM | ||
| 55 | No Artist: LOUD! Sine Wave 1 kHz, 0 dB, 16 bit | ||
| 56 | No Artist: Sine Wave 1 kHz, -55 dB, 24 bit > 16 bit Dither | ||
| 57 | No Artist: Sine Wave 1 kHz, -55 dB, 24 bit > 16 bit Truncation | ||
| 58 | No Artist: Sine Wave 1 kHz, -55 dB, 24 bit > 16 bit SBM | ||
| 59 | No Artist: Sine Wave 1 kHz, -55 dB, 16 bit | ||
| 60 | No Artist: Sine Wave 1 kHz, -75 dB, 24 bit > 16 bit Dither | ||
| 61 | No Artist: Sine Wave 1 Khz, -75 Db, 24 Bit > 16 Bit Truncation | ||
| 62 | No Artist: Sine Wave 1 kHz, -75 dB, 24 bit > 16 bit SBM | ||
| 63 | No Artist: Sine Wave 1 kHz, -75 dB, 16 bit | ||
| 64 | No Artist: Sine Wave 30 Hz, -60 dB, 24 bit > 16 bit Dither | ||
| 65 | No Artist: Sine Wave 30 Hz -60 dB, 24 bit > 16 bit Truncation | ||
| 66 | No Artist: Sine Wave 30 Hz -60 dB, 24 bit > 16 bit SBM | ||
| 67 | No Artist: Sine Wave 30 Hz -60 dB, 16 bit | ||
| 68 | No Artist: Hiss from Console output, 24 bit > 16 bit Dither | ||
| 69 | No Artist: Hiss from Console output, 24 bit > 16 bit Truncation | ||
| 70 | No Artist: Hiss from Console output, 24 bit > 16 bit SBM | ||
| 71 | No Artist: Hiss from Console output, 16 bit | ||
| 72 | No Artist: Protective Noise; It is about to get loud again! | ||
| 73 | No Artist: LOUD! Glockenspiel 0 dB, 24 bit > 16 bit Dither | ||
| 74 | No Artist: LOUD! Glockenspiel 0 dB, 24 bit > 16 bit Truncation | ||
| 75 | No Artist: LOUD! Glockenspiel 0 dB, 24 bit > 16 bit SBM | ||
| 76 | No Artist: Glockenspiel -40 dB, 24 bit > 16 bit Dither | ||
| 77 | No Artist: Glockenspiel -40 dB, 24 bit > 16 bit Truncation | ||
| 78 | Glockenspiel -40 dB, 24 bit > 16 bit Truncation | ||
| 79 | No Artist: Glockenspiel -40 dB, 24 bit > 16 bit SBM | ||
| 80 | No Artist: Glockenspiel -40 dB, 16 bit | ||
| 81 | Trio Opus 8: Piano Trio in A minor, Op. 50: Variazione finale, -45 dB, 24 bit > 16 bit Dither | ||
| Composed By Pyotr Ilyich Tchaikovsky | |||
| 82 | Trio Opus 8: Piano Trio in A minor, Op. 50: Variazione finale, -45 dB, 24 bit > 16 bit Truncation | ||
| Composed By Pyotr Ilyich Tchaikovsky | |||
| 83 | Trio Opus 8: Piano Trio in A minor, Op. 50: Variazione finale, -45 dB, 24 bit > 16 bit SBM | ||
| Composed By Pyotr Ilyich Tchaikovsky | |||
| 84 | Trio Opus 8: Piano Trio in A minor, Op. 50: Variazione finale, -45 dB, 16 bit | ||
| Composed By Pyotr Ilyich Tchaikovsky | |||
| 85 | Protective Noise; It is about to get loud again! | ||
| 86 | Trio Opus 8: LOUD! Piano Trio in A minor, Op. 50: Variazione finale, Normal volume | ||
| Composed By Pyotr Ilyich Tchaikovsky | |||
| 87 | Martin Classen, Georg Rox: My Funny Valentine | ||
| Piano Georg Rox | Saxophone Martin Classen | |||
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